Episodes
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Season 1


01 - "Tomato Face 54" - Pineapple Express
Kick off your journey through 'Shelf Criticism' with a dive into the haze of the classic stoner comedy, Pineapple Express. In our debut episode, Stephen breaks down the high points and the lows of this cult favorite, exploring what makes it a standout in the genre. Get ready for laughs, unexpected insights, and plenty of cinematic trivia as we light up the first disc of our eclectic DVD collection.
02 - "Silencio" - Mulholland Drive
Dive into the enigmatic world of David Lynch’s Mulholland Drive in this episode. Described as a masterful blend of psychological thriller and neo-noir, this film is an intricate tapestry of Hollywood dreams and nightmares. We peel back the layers of its complex narrative, exploring the duality of its characters and the surreal twists that challenge our perceptions of reality.
03 - "Attack the Whack" - The Avenging Disco Godfather
Get out your boogie shoes and "put your weight on it!" Get prepared to "attack the wack!" Leave all hopes for logical plot progression and verisimilitude at the door. We're serving up the beats and the action in this 1979 Blaxploitation masterpiece.
04 - "Maid of Dishonor" - Bridesmaids
Why let the fellows in the Frat Pack have all the fun? In this episode, we give the ladies a chance to let loose as we dive into the 2011 comedy Bridesmaids. Join us as we explore this groundbreaking film that redefined female-led comedies. We'll discuss the film's clever writing, standout performances, and the iconic scenes that made it a modern classic. From the unforgettable airplane meltdown to the infamous food poisoning incident, Bridesmaids is a riot of humor and heart. But it's not all laughs; we'll also critique some of the film's pacing issues and discuss whether the cameo by Wilson Phillips--NOT Wilson Pickett--hits the right note.
05 - "It's Time to Keep Your Appointment" - The Wicker Man (1973)
Dive deep into the eerie and enchanting world of folk horror with this week’s episode of Shelf Criticism, where we dissect the 1973 classic, The Wicker Man. Join me, Stephen, as I explore the film's rich tapestry of sultry tunes, mysterious rituals, and the unforgettable performance by Britt Ekland. Discover why this film is considered a foundational piece of the folk horror genre alongside insights into its unique cinematic techniques, characterization and plotting. And, fear not, there is only a passing mention of that abomination of a remake. NOT THE BEEEEEEEEEES!! MY EYES!
06 - "Doggie Fart Gladdens My Heart" - A Very Long Engagement
Bonjour and welcome to a very special episode of Shelf Criticism! Today, we're in the trenches with French cinema with A Very Long Engagement, directed by the brilliant Jean-Pierre Jeunet. This film, a blend of whimsical romance and the brutal realities of war, offers a unique viewing experience that owes a debt to French New Wave cinema.
07 - "Stolen Tea Always Tastes Better" - Red Rings of Fear (Enigma Rosso)
In this episode, we’re diving into the world of Italian giallo cinema with Red Rings of Fear, also known by its Italian title Enigma Rosso and an assortment of other titles depending on where you look. Despite the intriguing premise—a police inspector unraveling a mystery involving the death of a teenage girl—this film goes in some rather ... interesting directions. From poorly drawn cats to the wildest movie roller coaster rides this side of Final Destination, join us as we uncover the mysteries of this film ... namely, why we watched it in the first place.
08 - "I Believe in Tickle" - Garden State
In this episode of Shelf Criticism, Stephen dives into Zach Braff's 2004 directorial debut, Garden State. Join him as he explores the cultural impact of the film, discusses the infamous "Manic Pixie Dream Girl" trope, and questions whether the movie is a "steaming heap of pretentious, pseudo-intellectual claptrap" or a gem from the early 2000s indie scene. Stephen also shares some trivia, including insights from the DVD commentary
09 - "No Ordinary Gaffe" - The Hustle
Step into the dubious world of The Hustle (2000), a con movie that might just con you into watching it. Join Stephen as he explores this obscure film featuring Bobbie Phillips and Robert Wagner, where the cons outweigh the pros, and not just in the storyline. We're talking Made-for-TV Canadian films, nudity, and some really weird user content on IMDB.
10 - "Crazy's Just a Choice" - Nobel Son
Enter the stylish and slick world of Nobel Son, a film that blends dark comedy with the twisting elements of a con movie. In this episode, Stephen explores the intricate plot, the unique directorial choices, and the standout performances that make Nobel Son a hidden gem despite its mixed reviews.
Whether you're a fan of con movies or just love a film that challenges the norm, join Stephen as he breaks down why Nobel Son deserves a second look. Plus, get insights into the industry controversies that continue to spark debate.
11- "I Could Never Love a Baywatch Fan" - Sliding Doors
In this episode of Shelf Criticism, Stephen explores the romantic comedy Sliding Doors, starring Gwyneth Paltrow. Join him as he ponders the dual timelines of Helen's life, sparked by the simple act of catching or missing a train. This film challenges the conventions of typical romantic comedies by offering a narrative that hinges on the randomness of fate while also strictly adhering to other conceits of the genre.
Oh, and also random speeding vans. It's like those Monty Python boys always say: "Bring out your dead."
12 - "Happy but Restless Suburbanites" - Zebra Lounge
In this episode, we'll answer that ad in the swingers' magazine and venture to the dim, gin-soaked recesses of Zebra Lounge. Join Stephen as he discusses this erotic thriller starring Kristy Swanson and Stephen Baldwin. Though by no means a good film, the viewing gives Stephen (the host, not the Baldwin) an opportunity to discuss the history of the erotic thriller, the morality implied within such a genre, and perhaps a bit too much talk about his teenage crush on the original Buffy.
13 - "Immaculate Canvas" - The Break-Up
Stephen navigates the turbulent waters of The Break-Up, a film that tries to subvert the romantic comedy genre but ends up leaving audiences divided. Delving into its mixed critical reception, Stephen explores how the film's attempt at an "anti-romantic comedy" both falls flat and intriguingly undercuts expectations. The discussion includes personal anecdotes, a critical analysis of the film's narrative flaws and strengths, and a cultural context that examines the waning popularity of romcoms as well as their potential resurgence. Also, surprisingly little discussion of nudity this time.
14 - "Taken by a Shark" - Sirens
Our peerless host was, frankly, getting a little tired of having to discuss nudity and sexual content so often, but, as luck of the draw would have it, Sirens emerged from his sea of DVDs and called to him. Join him as he delves beneath the surface of this 1994 film starring Hugh Grant, Tara Fitzgerald, Sam Neill, and Elle Macpherson. He explores some of the symbols and motifs, discusses the setting, critiques the acting, and, yes, has a few things to say about the film's copious amount of flesh on display. See where this little artsy drama gets placed on the shelf.
15 - "The Water Goes Outside the Boat" - Into the Blue
In this episode of Shelf Criticism, Stephen dives into the 2005 tropical thriller Into the Blue. Known for its breathtaking underwater cinematography, Jessica Alba in a bikini, and Paul Walker perpetually shirtless, the film has often been dismissed as a shallow Hollywood spectacle. But is there more lurking beneath the surface? Stephen revisits the film, exploring whether it’s just an extended swimsuit calendar or if it holds genuine suspense and storytelling merit. Spoiler alert: It’s better than you remember, but maybe not by much.
14 - "Relax, It's Just Urine" - Orange County
Wax up your board and grab your copy of Marcus Skinner's Straight Jacket. This week, we're cruising up the PCH to Orange County. A beloved film in his cabinet, Stephen turns a critical eye to this comedy to determine whether this quotable flick holds up to academic rigor or is a throwaway flash in the pan of early-aughts cinema. Discussions of camera movements, nepo babies, and misuse of literary allusion abound.













